Harriet, who thinks that no real man compares to Mr. Darcy, is transported into Pride and Prejudice and gets an unexpected chance to find out. Starring Eliza Bennett and Nicholas Bishop.

A young man reckons with the world's most contrary and evil lawnmower.

A former couple has one last rendezvous on a lakeside to reflect on their relationship.

莱雅是一名奴隶，伊莱亚斯是一名士兵，两人都没有自由。在她的哥哥被面具军团抓走后，莱雅与反叛军合作，试图救回哥哥。为了营救哥哥，她冒着生命危险潜入帝国最著名的军事学院为反叛军做间谍。正是在这所学院里，她遇到了伊莱亚斯，一名刚刚毕业的面具军团成员，他一心渴望自由。他和莱雅……

Laia is a slave. Elias is a soldier. Neither is free. After her brother is captured by the Masks, Laia teams up with the rebels to get him back. In order to rescue her brother, she risks her life to spy for the rebels within the Empire's greatest military academy. It's at that academy that she meets Elias, a newly graduated Mask that wants nothing more than freedom. He and Laia will soon realize that their destinies are intertwined and that their choices will change the fate of the Empire itself. Written By: Internetmoviedatabase5

An Island in the Stream is a documentary about Tebajima, a remote island in the southwest Japan, with a population of about 40. Until the 1980s, coastal fishing was prosperous in this island, but now there is no industry on the island due to the declining population causing by aging and declining fish catches, and because of the changes, most of the residents are over 70 years old retired fishermen and their families. Through the observation and conversation with the residents, we see the past, present and future of the island. 　　There are no supermarkets, convenience stores, restaurants, or medical facilities on the island, beside two vending machines. The residents buy food and other daily necessities in towns on the mainland of Tokushima Prefecture that can be reached by ferry. 　　The lens focuses on three characters. One is 70 years old man who was born and raised in the island and work as the president of fisherman’s union, and another is a young fisherman in his 20s.

Two astronauts await the news that will decide their fate.

"The Looking Glass Murders" is an obscure, shot on video, made for Scottish TV version of the mime improv play "Pierrot in Turquoise," which Lindsey Kemp and David Bowie first staged in 1967. Pierrot is a freaky mime who ventures into a mirror where he falls in love and rolls around with the equally grotesque Columbine. But when Columbine beds black stallion (in half-assless spandex) Harlequin, Pierrot's jealousy takes over and drives him to murder. Cloud watches over the proceedings from his perch (on a ladder!) and narrates in song. 　　"Weird" doesn't begin to describe this one. It begins and ends with a man playing piano, but no sound is emitted. The sparse production doesn't betray its theatrical roots -- there's a grand total of two sets and they make no attempt to disguise the fact they're thrown together on stages. While I've never found mimes as unsettling as most, the trio in this film are REALLY creepy. And although it has a short running time of 26 minutes, it's so tediously strange and surreal that it felt like it was three hours long. When it comes to films I'm a bit of a masochist, opting for the strange, bizarre and reviled, but this one was almost too weird for me.

Where does all the time go? A woman watches her life, from high school to twilight years, leap forward at lightning speed. A poignant reflection on the things that really matter, impeccably animated by a talent to watch.

A young woman decides to face her anxieties, returning to places occupied by the shadows of the past. Driven by tempestuous winds, she defies a wild sea, crosses sharp rocks like blades, to return to the origin.